I’ve found quite a few reviews for The Adventures of Tom Thumb and Thumbelina, but none for this little 1997 gem from Golden Films. I finally watched it, and it was surprisingly bearable.
It opens with a song, led by Thumbelina flying around on a bird and making the flowers open up in the morning. Accompanied by animals and fairies, as well as a pig playing the piano (???), the song is a stirring piece that really speaks to the beauty of nature and the meaning of life. “Hi dum diddle dee, hi dum dee dum” (repeat 500x).
They play the same shot of the animals jumping down a hill at least 3 times. This is not the last time they will reuse animation. That said, I immediately prefer the art style to that used in The Adventures of Tom Thumb and Thumbelina in 2002.
Thumbelina is an overworked ruler trying to keep the meadow organized while animals and fairies bicker. It reminds me a little of the Tinker Bell movies. There’s supposed to be a prince, but he was kidnapped when he was a baby (or not, we’ll get to that later). Mainly this just makes me wonder about Thumbelina’s backstory. She’s not a fairy, but they never say what she is.
Her duties include dealing with three young delinquents with really annoying voices, and here we have our our kid appeal/comic relief team. Actually, I kind of grinned at some of the interactions here (“What makes you think it was fairies?” Cut to signed graffiti).
The work’s getting to her, so she goes to ask advice from an old and inconsistently drawn tree named Oakley.
In answer to her plea for advice, he decides to tell her her own backstory. Evidently, the Fairy Queen picked two children from noble families to reign as prince and princess of the meadow. And this just raises more questions. We still don’t know what Thumbelina is. And how did she pick these babies? What were their qualifications?
So his advice on government is “wait for your prince to come and then live happily ever after.” I GUESS THAT SOLVES THE PRESIDENTIAL ELECTION.
We cut to Tom Thumb, swinging from the curtains. He’s accompanied by a dog that resembles Max from the Little Mermaid, and does not talk. (Even though every single other animal seems to talk in this world, and humans have no trouble communicating with them. Are dogs the exception?
Tom then flies around on a tiny motorcycle. I am not making this up.
He heads into another room, where an Arthur-esque king and several knights are sitting around a round table. Gee, I wonder if the snobby guy with the nasal voice and the ugly pet bird could be evil. Turns out it’s the king’s son Mordred I mean Medwin, who wants to expand the Castle and open an IHOG (international house of gruel) at the expense of the Great Meadow. The king, however, values nature. Tom tries to give input, but they don’t hear him.
He’s eating a snack in the kitchen, when the ugly bird (a raven named Edgar who says “Nevermore” all the time and sounds like a poor man’s Iago), corners a mouse. Tom runs over to defend her with a fork and they have a discussion about how he wants to be an important knight. He feels like he’s meant for more and pulls out a plot-relevant necklace and whoa, that matches Thumbelina’s necklace! What could this mean?!? Then they both get dumped into some batter by a cooking lady with a deep gravelly man’s voice. But it’s all good.
Meanwhile, Medwin meets up with some thug and plots to kidnap the king. As usual, I’m baffled by how gleeful they are at the idea of being evil. Like, you can’t have subtlety in a cartoon. And if you were wondering when this film takes place, there’s an odd reference to the War of the Roses (”just like my father to fight over a bunch of flowers”).
Thumbelina’s hiding in the bushes when suddenly the King comes riding along with Tom. Tom spots Thumbelina and they talk for a minute, when suddenly the King is kidnapped just offscreen. Tom races back to the castle and is ready to ride out to the rescue, but the knights tell him to stay put.
Tom gets suspicious after Medwin and the bird, in public, at the top of their lungs, talk about getting things done their way now and cackle out hysterical evil laughter.
Back in the meadow, the animals come running to tell Thumbelina about construction work ruining the meadow. She flies off on her bird to talk to the king. There’s a brief mention of taking away the teen delinquent fairies’ wings if they don’t shape up, which makes me wonder if Thumbelina is a wingless fairy. But she says at some point that Tom is not a fairy, implying that this isn’t the case. More on this later.
She meets Medwin, and of course trying to persuade him to save the meadow doesn’t go well. She starts to leave on her bird. Tom’s swinging on curtains again (is this how he always gets around the castle?) and they crash into each other. She assumes Tom’s part of this construction project and gets mad at him. Tom doesn’t know what she’s ranting about, but then he overhears Medwin plotting.
My notes at this point read simply, “Oh no,” because, without any preamble, there’s an abrupt cut to Medwin singing and dancing with construction workers and it’s the most bizarre, anachronistic piece of dinner theatre I’ve ever seen. They’re also reusing clips again.
There’s also a mention of tearing down the meadow, which is confusing because it’s kind of flat.
Tom Thumb arrives with Fiona in the now-fortified meadow. At first Thumbelina and the fairies think he’s a spy, but he explains the truth and lays out a plan to sabotage Medwin’s equipment. Thumbelina and the delinquents volunteer to help, and they all fly off.
We cut to a party at night in the meadow. I guess they’ll do the sabotage later?
“I think somebody spiked the nectar!” someone says in the background. WHAT?
Romance incoming. Tom and Thumbelina start chatting, and mention that The writing is usually okay, aside from the songs, but there are some non sequiturs and oddly emphasized lines.
“This might sound kinda weird but I feel kinda like I belong here.”
“This may sound even weirder but I sort of feel the same way.”
“I have some strange attachment to this meadow.”
“Like, you know, like YOU belong here.”
A song follows, and they declare their love for one another (that was quick), and … Whaaat’s he doing with his mouth?
What follows is the most awkwardly animated kissing scene I’ve ever witnessed.
On another note, Thumbelina’s outfit is weird. I thought those things on her shoulders were sleeves. They’re not. They’re just … sitting there, not attached to anything.
We cut to Medwin hearing about the sabotage, and this is when I realize that the party was to celebrate the successful mission and we just skipped over the entire thing. Medwin plots to “catch flies with honey;” meanwhile Tom’s preparing to go back and stop Medwin once and for all.
Medwin takes a frog hostage and plots to kidnap the fairies when they come to rescue. (I don’t think that’s what catching flies with honey means.) He tosses a turtle away when it tries to stop him, and it lands right in front of Thumbelina’s throne. Hearing the news, she and the delinquents rush off to save the frog. Medwin has completely immobilized the frog by tying his tongue to a piece of grass. (Wow, really?) However, in the process of freeing the trapped animal, Thumbelina and the fairies walk right onto a piece of flypaper. (I still don’t think that’s what catching flies with honey means.)
Tom rescues them from Medwin’s birdcage. Medwin was monologuing as usual and mentioned where the king is being kept, so they go to search the dungeons. When they split up, Tom and Thumbelina make up a team and immediately find the king. Medwin has an army of Saxons coming in, so our heroes recruit all the fairies and animals to fight them off. Soldiers are reduced to running and screaming in terror by tiny creatures throwing nuts and water balloons. Oh, and there’s a skunk. And an angry bear. Actually, never mind, this is surprisingly effective, even though the delinquents still aren’t funny. They don’t hit a major roadblock until they realize that they can’t lift the key to the king’s cell.
Anyway, it all works out. Tom gets knighted, but now his and Thumbelina’s duties must separate them. So sad. He decides to give her his necklace of plot relevance to remember him by. This summons the Fairy Queen! And it’s revealed that Tom is the long-lost prince of the meadow oh yes of course.
Why can’t he remember his childhood? The narrator says he was a baby when he was kidnapped, but he looked like a young child, probably older than five.
Anyway, Tom and Thumbelina can now be married and become king and queen (”that is, as long as it’s okay with you both,” the Queen says eloquently). And to reward the delinquents, she gives them new, better wings that look exactly like the old ones. Except all yellow.
For his punishment, she shrinks Medwin and Edgar down to a tiny size and puts them in the model of the castle they were planning to build. And everyone lives happily ever after. There’s a weird mention of the two kingdoms becoming one, which doesn’t make much sense, as Thumbelina didn’t exactly make a marriage alliance with the king.
So, a few notes. They never say what Tom and Thumbelina are, just that they’re from royal families and they are not fairies. We never see their parents, even in the flashbacks. It’s blurry, but the only people I can identify are a squirrel and a trio who seem to be the teen delinquents, the same age.
The Fairy Queen displays the ability to shrink people, and fairies are known in real-world folklore as creatures who steal human babies and replace them with changelings. So my theory is that the Queen kidnapped two children from human royal families and shrunk them. She probably had good intentions, but she’s a fairy. Their morality doesn’t necessarily match up with ours in all the stories.
As for animation: there are quite a few errors and reused footage, but what stood out to me was the inconsistencies in the tiny characters’ scale. In the first picture here, Thumbelina is smaller than a man’s eye. In the second, she’s about the size of a man’s foot.
Not to mention this flawless bit with Medwin walking. And no, he’s not supposed to be shrinking in this scene. That little blue figure in the background is Tom.
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Researching folktales and fairies, with a focus on common tale types.