A few months ago I reviewed The Story of the Little Merman, a gender-swapped retelling of The Little Mermaid from 1909. I've come across a few modern parallels, but by far the best recent example is one from 2023: The Silent Prince, by C. J. Brightley. The delightfully cocky mer prince Kaerius falls for a human princess named Marin whom he saved from drowning, and seeks to become human so that he can officially meet and woo her. He quickly finds himself in the middle of a complicated political situation, all while learning to be a humbler person.
This is part of the Once Upon a Prince series, released by the indie publisher Spring Song Press, which is also run by Brightley. It includes twelve books, each by a different author, which retell popular fairy tales with a focus on the male leads and often a twist to the plot. The Silent Prince owes a fair amount to Disney. The "sea witch" role is filled by a giant kraken (although not as malevolent as Ursula) and Kaerius gives up his voice, not his tongue. However, there are also some elements from Andersen; Kaerius experiences pain from dancing in tight boots that he's not used to, and the story nods to the original story's themes of self-sacrifice. I've been on a kick of reading mermaid novels for quite a while now, and found true underwater settings fairly rare, probably because they're difficult to write well. It really requires a different mindset. It's easy for underwater worldbuilding to get cheesy with ocean puns, talking fish friends, and so on. But although the novel takes place 95% on land, Brightley's merfolk feel wild and alien in a way that I've rarely seen. This novel is at its best in the worldbuilding and the scenario of a merman adjusting to land. Plenty of mermaid stories feature the mermaid character being a fish out of water, but Brightley really sinks her teeth into it - for instance, we learn that licking someone's hand is a polite greeting among merfolk, while hugging is considered a show of great vulnerability because it exposes your throat. There's an element of realism in play, as seen by Kaerius experiencing numerous health concerns when he comes ashore after inhaling water. The way that Kaerius communicates is also refreshing. In a lot of retellings, the mermaid can't communicate with the prince at all. But Kaerius is used to sign language as part of normal merfolk life, so he just naturally signs to the humans he meets, and the princess and her guards gradually start to learn enough to understand him. There are a couple of letdowns. The ending felt rushed; after such an in-depth and colorful story, this was particularly disappointing. And although we spend a lot of time with Kaerius and his character development, we never really gain a deeper understanding of Princess Marin. Kaerius does realize that his initial impression of Marin was mere infatuation, and that he needs to actually get to know her as a person. This should be a good start! But then he gets to know her fairly easily, she turns out to be a kind and noble person, and... that's it. They have a sweet and straightforward romance. She's surprisingly chill about his strange habits and some reveals that should have been shocking; it feels like we never really get to see beyond the surface with her. We honestly get to see more of Kaerius's relationship with the human guard who hosts him. Overall, I'd class this as a solid retelling, fun and with a clean romance. It jumped right to the top of my list of favorites, and I'd suggest it to anyone who enjoys retellings and developed worldbuilding.
0 Comments
|
About
Researching folktales and fairies, with a focus on common tale types. Archives
July 2024
Categories
All
|